The Strange World Of...
Yoko Ono
Features
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Features
Wonderland: Nick Cave And The Bad Seeds’ ‘Ghosteen’ Reviewed
In the thirtieth entry of ‘The Red Hand Files’, where Nick Cave answers questions from his fans...
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A Quietus Interview
Shut Your Eyes And See: Félicia Atkinson Interviewed
Photography by Stine Sampers As part of my preparation for this piece, I spent a considerable ...
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Anniversary
Top Gear: The Jesus And Mary Chain's Automatic Revisited
The further you move away from the horizon, the harder it is to see your starting point. And so...
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Books
Orgasm Addict: New Fiction Inspired By Buzzcocks
Filth. Not that kind – not yet, anyway. Just dirt for now, ashy fallout from constant smoke whi...
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Art
Fed Through The Memory Filter: Richard Foster’s Museum of Photocopies
Every photocopy is a document. Even the blank paper accidentally copied. That’s a document of t...
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Album Of The Week
Beyond Good & Evil: Breaching Lightning Bolt's Sonic Citadel
Photo: Nick Sayers So, is the new Lightning Bolt any good? I've always thought of Lightning Bo...
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A Quietus Interview
Afternoon Delight: Brett Anderson Interviewed
Portrait by Paul Khera Coal Black Mornings, the first volume of Brett Anderson’s memoir, was a...
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A Quietus Interview
A Young Person's Guide To Hitting Things: Katherina Bornefeld Of The Ex Interviewed
Portrait by Ineke Duivenvoorde We are sat backstage in one of the many rooms at WORM, Rotterda...
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Features
Moon Madness: Cult Of Luna And Opeth Step Into The Unknown
Cult Of Luna portrait by Silvia Grav Johannes Persson has a strange memory. At least, that’s w...
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Live Reviews
Leaving The Comfort Zone: Station Narva Estonia Reviewed
All live photography by Masha Kunina Is This A Music Festival? A gloomy Saturday afternoon. I...
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