The Strange World Of...
Yoko Ono
Books
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Books
The Ordinary Reader: Trading Blows Over The Booker Prize
Custom dictates that every once in a while the publishing world must have an earnest discussion...
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The Black Gravity Of Sound: An Interview With Eugene Thacker
On receiving Eugene Thacker’s latest book Infinite Resignation in the post, I called to mind so...
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100 Years: Shirley Collins Reflects On The First World War
One of the most moving aspects to Shirley Collins' wonderful memoir All In The Downs is her rec...
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A Question of Attribution: An American Story And The Literature Of 9/11
For the next 50 years, people who were not in the area when the attacks occurred will claim to ...
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Jean-Michel Jarman: The Last of Docklands
Fig. 1: Millennium Mills, 2018. © The author, 2018. When you walk around the offices, hotels an...
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Behold! Autumn’s Quietus Comics Round Up Column
Last column I noted that erstwhile Quietus comics reviewer Jenny Robins had been shortlisted fo...
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How Low Can You Go? An Extract From Dan Fox's Limbo
image: Limbo Dancer attempting a lowered pole by Mariegriffiths at English Wikipedia So. Limbo ...
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Return Of The K-Tel Patrick Bateman: John Niven's Kill 'Em All
John Niven’s debut novel, 2008’s Kill Your Friends, was about Steven Stelfox, an avaricious and...
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Mordancy, Misery And Misanthropy: Faith No More Book Reviewed
Faith No More in 1985. All band shots ((c) Bill Gould/ Faith No More) The cult of Faith No Mor...
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The Possibilities Of Poetry: On ‘Be With’ By Forrest Gander
M. Flomen, Littoral Zone No.19.2009.Unique Photogram.48 x 96 in.Courtesy: the artist While tran...
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