The Strange World Of...
Yoko Ono
Live Reviews
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Live Reviews
A Sense Of Touch: The Ex Live At Thirty-Three And A Third
The Ex are celebrating their thirty-three and a third birthday. For my part, it is ten ye...
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Live Reviews
God Through All Things? The Fall Live In Islington
'Deus Per Omnia' reads the Latin motto on the crest of the London Borough Of Islington in...
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Live Reviews
Things The Quietus Learned At Turin's Club To Club Festival
Jeff Mills in a seated venue is even more punishing than in a club Detroit minimal techn...
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Live Reviews
"More Buzz Than A Bee-Keepers Convention": Pitchfork Festival Paris
Ah, Pitchfork, with your endlessly proliferating micro-genres and the faux-precision of y...
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Live Reviews
Things Learned At Supersonic 2012...
All pictures courtesy of Katja Ogrin bar the exterior shot of Ozzy's house taken by Cay M...
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Live Reviews
Are You Looking For Mental? The Live Return Of Eighties Matchbox
Photo by Rachael Emily About a decade ago, British guitar music was in rude health – not ...
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Live Reviews
The Shock Of The End: Krakow's Unsound Festival Deconstructed
Photos by Joanna 'frota' Kurkowska The end is nigh! Or, at least, that's what Unsound Kra...
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Live Reviews
Elements Of A Music Scene: Stavanger's Numusic Festival Reviewed
Norway's population is smaller than that of Greater London. Stavanger is its fourth largest...
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Live Reviews
Things The Quietus Learned At Incubate Festival 2012
Last week, the Quietus temporarily relocated to Tilburg, in the Netherlands for this year...
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Live Reviews
A New Kind Of Man: John Foxx & The Maths Live
'Shatterproof', the track that opens John Foxx & The Maths' 2011 debut LP Interplay, ...
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