A Quietus Interview
Glenn Branca
In Extremis
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In Extremis
An Interview With Æthenor's Stephen O'Malley
The following is a snapshot of a sprawling conversation I had with Seattle's Stephen O'Malley -...
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In Extremis
Årabrot And Necromantic Norway: An In Extremis Special
Three of the finest records released anywhere on God's green-and-off-grey Earth in the past 12 ...
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In Extremis
Unholy Matrimony: An Interview With Demdike Stare
Demdike Stare's music is concerned with opposing forces: decay and resurrection, loss and disco...
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In Extremis
Positive Feedback: Cultus Sabbati Interviewed & Free Album Dowload
It's not often at Quietus Towers that we come across an album that threatens to sonically bully...
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In Extremis
Not Safe For Work: Drumcunt Interviewed
When the Quietus plays records out we sometimes like to "attrocitate". This means playing the k...
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In Extremis
The End Is Nigh: An Interview With Locrian
What does the end of the world sound like? Think. Then think again. Visions of apocalypse, li...
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In Extremis
Higher Frequencies: An Interview With Orange Goblin
A mere 15 years ago, the world was a very different place indeed (no shit, right?!). For starte...
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In Extremis
Why Black Metal Isn't Our Cup Of Tea: Celeste Interviewed
When is a black metal band not a black metal band? There is, of course, a fairly obvious answe...
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In Extremis
An Hallucinatory Experience: R Loren On Sailors With Wax Wings
Early in the autumn, R Loren of wondrous Denton avant-post-rockers Pyramids released two, sort-...
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In Extremis
"We're Obviously Cursed": An Interview With Mugstar
When the Arch Drude himself, Julian Cope, describes your music as "driving motorik Litmus-style...
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Goldblade
The National
Vår
The Memory Band
The Focus Group
Neon Neon