The Strange World Of...
Yoko Ono
Escape Velocity
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Escape Velocity
The Little Battle Of The Big Horn: Colin Stetson Interviewed
Colin Stetson is a very inventive saxophonist for hire. The Canadian has played with a long lis...
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Escape Velocity
Relentless Raw Movement: Death Grips Interviewed
Brutal, bodacious, ugly like twisted-metal, obnoxious as a shot-out kneecap, completely barmy...
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Escape Velocity
Woah-Ho Heave-Ho: Former Verve Men Set Sail In The Black Ships
"We didn't want a singer in the band," says Simon Jones, leaning forward from the beaten leat...
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Escape Velocity
Nothing To Hide: Anna Calvi Interviewed
Anna Calvi's eponymous debut album is a thing of natural beauty. Atmospheric, dramatic, dark,...
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Weather Changes Moods: An Interview With Lone
Rarely does the name of the electronic act define the person who has chosen it as succinctly an...
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Isaac Newton & Mind-Altering Loops: Standard Planets Interviewed
"The interesting thing is that people never compare us to bands," muses Standard Planets’ vocal...
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Working Nine To Five: An Interview With White Denim
"I do have a convoluted way of communicating sometimes," admits James Petralli, singer-songwr...
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"It's Like Being Naked": An Interview With Husband
"We only played our first gig at home in Italy a couple of weeks ago," laughs Husband's Chiar...
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Metal Confection & Computer Love: An Interview With Laurel Halo
Current critical discourse around a great deal of modern synthesizer-based electronic music s...
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Escape Velocity
Sinister Dread & Life Affirming Elation: An Interview With Wu Lyf
LYF - SCRIPT TREATMENT. Roll opening credits. Scene one. Rio De Janiro, Brazil. The Kid (play...
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